4-piece DAI & THE RAMBLERS recorded their debut album Duw Duw, crammed full of their brilliant brand of Cajun and New Orleans flavoured honky-tonk, folk and gonzo jazz, at the legendary Toe Rag studios. Songwriter and singer Dai Price comes from Newport in South Wales, and previously worked with psychedelic cumbia outfit Los Chinches. Rupert Gillett grew up in Germany, and plays double bass and cello. He also performs with the London Klezmer Quartet and produces records at The Cabin studio in Walthamstow. Sheffield-born Alan Dunn plays piano and accordion, and has worked with folk legends such as Loudon Wainright III and Fairport Convention’s Richard Thompson. South African fiddler Bob Loveday has performed and recorded with artists as varied as Van Morrison, Jeff Beck, The Penguin Cafe Orchestra and Paul McCartney. They’re a fantastic band, with wonderful songs, all delivered by brilliant musicians, we’re really looking forward to this one!!
“I love his voice; I love the whole band.” Paul Heaton (The Beatiful South)
“Absolutely gorgeous… They make a beautiful sound.” Janice Long (BBC Radio 2)
“A joyous romp… will raise your spirits and gladden your heart” Michael Farley (Americana UK)
Taking inspiration from the twin pillars of American bluegrass and English folk, ALDEN, PATTERSON and DASHWOOD weave rich harmonies with fiddle, dobro and mandolin around a combination of finely crafted original compositions and traditional songs. The trio features members of much respected Norwich folk bands Murphy’s Lore, Woodland Creatures and Dumbfoundus.
New Roots is committed to promoting events that shine a light on up and coming talent in the UK roots scene. It’s committed to providing artists with an environment that is sympathetic to what they do, giving musicians the respect they and their music deserves- for this reason we ask for no talking and no use of mobile phones while artists are performing. Our music policy comes from the kitchen table, the roots of public performance- intimate, acoustic based, high quality musicianship with as little interference between performer and listener as possible. We find that in folk, alt-folk,, indie folk, alt-folk, chamber folk, country blues, Americana, alt-country, old-time rhythm & blues, gypsy jazz, honky-tonk, klezmer, world music, contemporary classical music and all points in between.
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