Dubbed a “genius” and a “downtown ringleader” by The New Yorker, Spottiswoode is the son of an American opera singer and an English clergyman. WNYC’s legendary DJ John Schaefer describes him as “one of New York’s more colorful band leaders for more than a decade.”

His music travels the gamut, drawing comparisons to Leonard Cohen, Ray Davies, Nick Cave, Tom Waits, Randy Newman and Jim Morrison. Still, he’s very much his own man. He “evokes real emotions, sometimes different ones in a single song” (Dan Reed, WXPN).

For the past two decades, the Anglo-American has been the frontman of Spottiswoode & His Enemies, a septet that has become a New York institution. With the band, Spottiswoode has released six acclaimed records, performed numerous Manhattan residencies, and toured extensively from SXSW and Lille Europe to Lincoln Center. The band’s gothic rock opera, ABOVE HELL’S KITCHEN, was presented in 2010 to sold-out crowds at the New York Musical Theatre Festival.

In addition to recording with his Enemies, Spottiswoode has also released three solo albums and a duo collection. His songs have been featured in a wide variety of films and television shows including most recently  A Street Cat Named Bob. He has been nominated for five separate Independent Music Awards, winning Best Adult Contemporary Song in 2012 for his piano ballad, Chariot.

He’ll be joined at The Green Note by German gypsy guitarist Matti Muller and British double bassist Jonny Gee.


“Genius” John Donohue (New Yorker Magazine)

“Nothing short of transportive” Steve LaBate (Paste Magazine)

“His roughed-up baritone and scalpel-sharp songwriting tie all his genre-jumping together in a squirming sack of sunny songs, off-kilter cabaret and breathtaking honesty. Scary, hilarious and touched by genius.” Michael Walsh (Charlotte Creative Loafing)

“He doesn’t simply sing his songs, he inhabits them. Whether it’s a mesmerizing and hushed lullaby about the pouring rain, a randy cabaret waltz with winking rhymes, or a galloping noir rocker that builds to a psychotic climax, Spottiswoode draws you in.
The dapper (and sometimes playfully unhinged) singer/guitarist is both down-to-earth and as intense as Nick Cave and Leonard Cohen, with a little wild Joe Cocker soul in there, too.” Ken Maiuri (Northampton Gazette)

“It’s a good bet that whoever says there’s no such thing as an original idea — in music or otherwise — has not taken a good close listen to Spottiswoode.” Pete Chianca (Popdose)

“Imparting his tales of hedonism and spirituality in a conversational baritone that recalls Leonard Cohen, Spottiswoode can be hilarious in the role of cad.” Glen Savardy (CMJ Magazine)

“Holds his own on the shelf between Waits, Cave and the half empty, green tinted bottles.” Jack Rabid (Big Takeover Magazine)

“Spottiswoode possesses a lovely crooning baritone…a cool, croaky voice that sounds as if he’s leaning in close and singing especially to you..” (Time Out NYC)

“A kinder gentler Nick Cave” Kevin Oliver (Columbia Free Times)

“Spottiswoode uses artsy, lyrically-driven 70s British folk-rock as a stepping-off point for his often witheringly lyrical songs.” Delarue (New York Music Daily)

“A master of the late night vibe” Mark Jenkins (Washington Post)

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