Referred to as a “genius” and a “downtown ringleader” by The New Yorker, SPOTTISWOODE is the son of an American opera singer and an English clergyman. WNYC’s legendary DJ John Schaefer describes him as “one of New York’s more colorful band leaders for more than a decade.”

For the past two decades, the Anglo-American has been the frontman of Spottiswoode & His Enemies, a septet that has become a New York institution. With the band, Spottiswoode has released six acclaimed records, performed numerous Manhattan residencies, and toured extensively from SXSW and Lille Europe to Lincoln Center. The band’s gothic rock opera, ABOVE HELL’S KITCHEN, was presented in 2010 to sold-out crowds at the New York Musical Theatre Festival.

In addition to recording with his Enemies, Spottiswoode has also released three solo albums and a duo collection. His songs have been featured in a wide variety of films and television shows. He has been nominated for five separate Independent Music Awards, winning Best Adult Contemporary Song in 2012 for his piano ballad, Chariot.

Spottiswoode’s music travels the gamut, drawing comparisons to Leonard Cohen, Ray Davies, Nick Cave, Tom Waits, Randy Newman and Jim Morrison. Still, he’s very much his own man. He “evokes real emotions, sometimes different ones in a single song” (Dan Reed, WXPN).

“Genius” John Donohue (New Yorker Magazine)

“Nothing short of transportive” Steve LaBate (Paste Magazine)

“He doesn’t simply sing his songs, he inhabits them. Whether it’s a mesmerizing and hushed lullaby about the pouring rain, a randy cabaret waltz with winking rhymes, or a galloping noir rocker that builds to a psychotic climax, Spottiswoode draws you in. The dapper (and sometimes playfully unhinged) singer/guitarist is both down-to-earth and as intense as Nick Cave and Leonard Cohen, with a little wild Joe Cocker soul in there, too.” Ken Maiuri (Northampton Gazette)

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Over the course of his career, singer/songwriter and Americana artist TOM FREUND has released more than a dozen records, collaborated with legends such as Elvis Costello and Jackson Browne, pulled a half-decade stint on bass for alt-country pioneers The Silos, and has shared bills with everyone from Matthew Sweet to Guided by Voices. Freud’s intimate, heartfelt new solo album, EAST OF LINCOLN, chronicles a personal journey along the path from self-doubt to enlightenment. “Time to take the wheel and turn this thing around / Time to make a deal and see what’s going down,” he affirms on Runaround.  Freund takes his time and lets these new songs simmer, and that – along with memorable guest spots from long-time friend and collaborator Ben Harper and an all-star cast of session players – is a big part of the record’s charm.

“Every year the mounting landfill of new releases that threatens to bury the working music journalists yields a few unexpected gems, and Tom Freund is one of them.” THE NEW YORK TIMES
“Freund’s imagination as a songwriter is matched by his reach as an arranger and producer, making this collection both varied and cohesive.” NO DEPRESSION

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